『皮特影(ying)(ying)院手機』介紹(shao):一(yi)直作(zuo)為(wei)米(mi)路斯.科曼劇本(ben)鐵三(san)角(另(ling)一(yi)位是(shi)帕培錫,也(ye)是(shi)本(ben)片(pian)編劇之(zhi)(zhi)(zhi)一(yi))成(cheng)(cheng)員的(de)艾雲.巴薩,當然(ran)也(ye)走低度(du)戲劇路線(xian)。同是(shi)音(yin)樂家(jia)的(de)彼德與卡(ka)洛老友重(zhong)逢,生(sheng)活(huo)狀況大不同,你有伴(ban)侶我有家(jia)庭(ting),然(ran)而都(dou)有說不出的(de)不明(ming)朗,唯有以(yi)酒(jiu)與音(yin)樂代替口水(shui)。全(quan)(quan)片(pian)推展不問(wen)目(mu)的(de),只(zhi)在剎(cha)那間的(de)意圖(tu),行行企(qi)企(qi)比起科曼更義無(wu)反(fan)顧,卻有生(sheng)活(huo)淡如流水(shui)的(de)詩意和繆思,叫(jiao)觀(guan)眾聯想到二十年後的(de)伊力.盧馬(ma)。巴薩鍾愛(ai)音(yin)樂的(de)程度(du)不下於文(wen)字和電(dian)(dian)影(ying)(ying),古典音(yin)樂與民間音(yin)樂於全(quan)(quan)片(pian)迴轉迴盪,難(nan)怪成(cheng)(cheng)了(le)奇(qi)斯洛夫斯基十大心(xin)愛(ai)電(dian)(dian)影(ying)(ying)之(zhi)(zhi)(zhi)一(yi)。康城影(ying)(ying)展青年評(ping)審團獎,美國全(quan)(quan)國影(ying)(ying)評(ping)人協會特別(bie)獎這部1966年的(de)珍品,是(shi)捷克新(xin)浪潮短暫生(sheng)命中最佳作(zuo)品之(zhi)(zhi)(zhi)一(yi)。成(cheng)(cheng)名音(yin)樂家(jia)到小鎮(zhen)探(tan)訪舊同學(xue),舊同學(xue)是(shi)個窮音(yin)樂教師,有時在喪禮上(shang)吹奏樂曲。平凡的(de)素材在巴素手裡,變出風趣(qu)復罕見的(de)旋律(lv),一(yi)部憂(you)鬱的(de)喜劇,或灰色喜劇。-DaveKehr,ChicagoReaderIvanPasser’s(Cutter’sWayandCreator)lastfilmtobemadeinhisnativeCzechoslovakiaisaboutfriends–musicianPetrandmusicteacherKarel–reunitedwhenPetrreturnstotownforaperformance.PasserfrequentlycollaboratedwithMilosFormanandtheepisodic,low-actionaestheticthatwasevidentinForman’searlyworkcanbeseenhere.Yearsofseparationhavebredapprehensionbetweenthetwomen,andKarel’ssimmeringjealousymakestheirmeetingallthemoreawkward.Eventually,thebarrierscrumbleenoughforthepairtofreelydiscusstheirlives.Thefilm’ssimplebeautyisinthedetailsofthemen’sreacquaintingthemselveswitheachother,discoveringeachother’sregretsandunfulfilleddesires.Alivewithpathos,humourandinsight.SpecialAward,NationalSocietyofFilmCriticsAwardsItssimplecitymouse-countrymousestoryinvolvesthemeetingoftwoformerschoolmatesastheyprepareforasmall-townconcert.EnlivenedbyPasser’sflairforgrotesquerie,thisunassumingmasterpiecemaintainsadelicatebalancebetweenhilarityanddespair.-ElliottStein,VillageVoiceSource:HKIFFCzechNewWave2006