『愛(ai)(ai)如(ru)潮水(shui)日本免費(fei)完整版(ban)觀(guan)看』介紹:以楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)為(wei)(wei)主人公,緊(jin)緊(jin)圍繞楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)的情感(gan)(gan)(gan)起伏、命(ming)運轉(zhuan)折而(er)(er)展(zhan)開。故事一開始就要(yao)讓楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)與(yu)彭(peng)勃(bo)產(chan)生(sheng)浪漫的戀情,用適當(dang)篇幅表現二(er)人的情深意篤。謝(xie)阿蠻(man)作為(wei)(wei)楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)以舞為(wei)(wei)樂(le)的玩(wan)伴,從中穿(chuan)針(zhen)引線,力促二(er)人。當(dang)得知被選為(wei)(wei)壽(shou)(shou)王(wang)妃后,楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)激烈抗婚,謝(xie)阿蠻(man)為(wei)(wei)二(er)人打抱不平,甘當(dang)信(xin)使。楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)沖動地要(yao)以身相許,彭(peng)勃(bo)理智地退縮了(le)(le),他(ta)不是因為(wei)(wei)懼怕皇權,而(er)(er)是為(wei)(wei)了(le)(le)保護自(zi)己(ji)的愛(ai)(ai)人,為(wei)(wei)了(le)(le)愛(ai)(ai)情永駐。楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)無(wu)奈(nai)與(yu)壽(shou)(shou)王(wang)成婚。婚后初(chu)期,楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)過著與(yu)壽(shou)(shou)王(wang)同(tong)(tong)床異夢的生(sheng)活,并(bing)時常通(tong)過謝(xie)阿蠻(man)向彭(peng)勃(bo)傾訴離別(bie)之(zhi)情。壽(shou)(shou)王(wang)的敦(dun)厚和百(bai)般呵護,久而(er)(er)久之(zhi)打動了(le)(le)楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan),使她有了(le)(le)一種(zhong)歸宿感(gan)(gan)(gan),并(bing)把自(zi)己(ji)的情感(gan)(gan)(gan)轉(zhuan)移、寄(ji)托在(zai)壽(shou)(shou)王(wang)身上。這段愛(ai)(ai)情同(tong)(tong)樣生(sheng)生(sheng)死(si)死(si),真摯熱烈。這些都有助于加大(da)唐(tang)(tang)玄宗得到楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)的難(nan)度(du),從而(er)(er)展(zhan)開本劇的情節主線――楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)與(yu)唐(tang)(tang)玄宗的愛(ai)(ai)情(主要(yao)參照小說(shuo)編寫)。在(zai)表現楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)與(yu)唐(tang)(tang)玄宗的愛(ai)(ai)情時,應注意細致描寫楊(yang)(yang)(yang)(yang)玉(yu)(yu)(yu)環(huan)與(yu)唐(tang)(tang)玄宗對音樂(le)、戲劇愛(ai)(ai)好和相同(tong)(tong)感(gan)(gan)(gan)悟,這是他(ta)們愛(ai)(ai)情遞進的關(guan)鍵。