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『學(xue)生的(de)媽媽6中韓(han)雙字多魚2』介紹:所謂時(shi)代創造英(ying)雄，英(ying)雄創造時(shi)代。該(gai)劇(ju)(ju)(ju)以賴(lai)天(tian)(tian)佑父女(nv)，林通(tong)海(hai)父子，黃(huang)昆山(shan)父女(nv)和王(wang)勝天(tian)(tian)，王(wang)勝志兄(xiong)弟為故事主要人(ren)物線索(suo)，表(biao)現了兩代四家人(ren)在商場競(jing)爭中的(de)社會價值(zhi)，人(ren)情義理(li)(li)，親情，友情，愛情和人(ren)性(xing)的(de)真善丑惡......創下央(yang)視(shi)(shi)引(yin)進劇(ju)(ju)(ju)最長紀錄(lu)的(de)臺灣長劇(ju)(ju)(ju)《意難(nan)(nan)忘(wang)》共有(you)(you)526集(ji)，目(mu)前(qian)央(yang)視(shi)(shi)引(yin)進了前(qian)168集(ji)。《意難(nan)(nan)忘(wang)》采取了“邊(bian)(bian)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)邊(bian)(bian)拍(pai)”的(de)方式(shi)，該(gai)劇(ju)(ju)(ju)導演王(wang)為表(biao)示(shi)(shi)，“我(wo)(wo)和制作人(ren)每(mei)天(tian)(tian)晚上(shang)一(yi)起看(kan)節(jie)(jie)目(mu)的(de)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)出(chu)(chu)，并隨(sui)時(shi)因收(shou)視(shi)(shi)率的(de)高(gao)低調(diao)(diao)整(zheng)情節(jie)(jie)，以機(ji)動(dong)方式(shi)來調(diao)(diao)整(zheng)劇(ju)(ju)(ju)情走向，為的(de)是(shi)(shi)創造高(gao)收(shou)視(shi)(shi)率。”但(dan)(dan)中國電(dian)視(shi)(shi)藝(yi)術家協會副主席黎鳴表(biao)示(shi)(shi)，這(zhe)種(zhong)(zhong)(zhong)“邊(bian)(bian)拍(pai)邊(bian)(bian)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)”模(mo)式(shi)很(hen)難(nan)(nan)在內地推廣，“韓(han)國電(dian)視(shi)(shi)臺一(yi)般(ban)一(yi)周5天(tian)(tian)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)電(dian)視(shi)(shi)劇(ju)(ju)(ju)，每(mei)天(tian)(tian)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)一(yi)集(ji)，但(dan)(dan)每(mei)天(tian)(tian)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)出(chu)(chu)的(de)電(dian)視(shi)(shi)劇(ju)(ju)(ju)都不(bu)(bu)一(yi)樣，一(yi)般(ban)是(shi)(shi)5部電(dian)視(shi)(shi)劇(ju)(ju)(ju)同(tong)時(shi)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)，由(you)于播(bo)(bo)(bo)(bo)(bo)(bo)(bo)出(chu)(chu)周期長，所以韓(han)國同(tong)行有(you)(you)充足的(de)時(shi)間可以根據收(shou)視(shi)(shi)情況、觀眾(zhong)反應編排下邊(bian)(bian)的(de)故事走向。我(wo)(wo)們(men)國家其實也曾(ceng)經嘗試(shi)過這(zhe)種(zhong)(zhong)(zhong)幾部戲一(yi)起播(bo)(bo)(bo)(bo)(bo)(bo)(bo)的(de)播(bo)(bo)(bo)(bo)(bo)(bo)(bo)出(chu)(chu)模(mo)式(shi)，但(dan)(dan)是(shi)(shi)沒有(you)(you)成功，中國的(de)電(dian)視(shi)(shi)觀眾(zhong)還是(shi)(shi)習慣(guan)一(yi)次性(xing)把一(yi)部戲看(kan)完，我(wo)(wo)想這(zhe)跟我(wo)(wo)們(men)的(de)審美(mei)理(li)(li)念(nian)、民(min)族文化和民(min)族心理(li)(li)等各種(zhong)(zhong)(zhong)因素都有(you)(you)關(guan)系，所以這(zhe)種(zhong)(zhong)(zhong)模(mo)式(shi)很(hen)難(nan)(nan)在內地實現。”雖然社會上(shang)對于韓(han)劇(ju)(ju)(ju)、臺劇(ju)(ju)(ju)這(zhe)種(zhong)(zhong)(zhong)“長壽劇(ju)(ju)(ju)”反響不(bu)(bu)一(yi)，但(dan)(dan)有(you)(you)些(xie)觀眾(zhong)卻表(biao)示(shi)(shi)很(hen)認(ren)可。觀眾(zhong)范女(nv)士(shi)表(biao)示(shi)(shi)，“因為情節(jie)(jie)特別簡單完全不(bu)(bu)用動(dong)腦(nao)子，是(shi)(shi)消磨時(shi)間的(de)最好方式(shi)。”