『海(hai)賊王(wang)(wang)女帝被(bei)路飛h』介紹:豫劇(ju)(ju)電(dian)(dian)影(ying)《清(qing)(qing)風亭》由朱趙偉(wei)導演(yan)(yan)(yan)執導、李(li)學庭擔(dan)當(dang)編劇(ju)(ju),李(li)阿夢擔(dan)當(dang)執行導演(yan)(yan)(yan),李(li)樹建(jian)(jian)、柏青(qing)領銜主演(yan)(yan)(yan),青(qing)年演(yan)(yan)(yan)員王(wang)(wang)愛霞、王(wang)(wang)獻(xian)光(guang)、郭(guo)付有(you)、祁(qi)秋(qiu)娥、劉曉光(guang)、吳江南等聯袂出(chu)演(yan)(yan)(yan)。作(zuo)為流(liu)傳(chuan)百年的(de)古典(dian)名劇(ju)(ju),《清(qing)(qing)風亭》故(gu)事(shi)家(jia)喻戶曉,經改(gai)編由李(li)樹建(jian)(jian)重新搬上舞臺,國(guo)內外演(yan)(yan)(yan)出(chu)千余場,此次,作(zuo)為“忠孝節”悲情三部(bu)(bu)曲中(zhong)的(de)第二部(bu)(bu),李(li)樹建(jian)(jian)聯手電(dian)(dian)影(ying)改(gai)革派代表(biao)朱趙偉(wei)導演(yan)(yan)(yan)將這部(bu)(bu)感(gan)人(ren)(ren)劇(ju)(ju)目繼《程嬰救孤》后(hou)又搬上了大銀幕(mu)。電(dian)(dian)影(ying)版《清(qing)(qing)風亭》故(gu)事(shi)脈絡更加清(qing)(qing)晰,采(cai)用電(dian)(dian)影(ying)的(de)藝術手段(duan)將實(shi)景結合棚(peng)景拍攝,是為古典(dian)劇(ju)(ju)目影(ying)視表(biao)達(da)的(de)一(yi)次大膽嘗試(shi)。片中(zhong)的(de)主題超越(yue)傳(chuan)統道德(de)層(ceng)面,挑戰(zhan)情感(gan)突破(po)道德(de)底線,立足于人(ren)(ren)物(wu)命運情感(gan),對貧(pin)與富、恩與仇、名與利(li)深(shen)(shen)入剖析,直指人(ren)(ren)性深(shen)(shen)處(chu),傳(chuan)達(da)了一(yi)種具有(you)普(pu)遍價(jia)值觀的(de)人(ren)(ren)類情感(gan)。