『拍(pai)戲時進入(高H)小(xiao)(xiao)說』介(jie)紹(shao):短片集由(you)八個(ge)植根(gen)于中(zhong)(zhong)(zhong)國(guo)傳(chuan)統文化的(de)(de)獨立的(de)(de)故(gu)(gu)(gu)事(shi)組成(cheng):《小(xiao)(xiao)妖怪的(de)(de)夏天》《鵝(e)鵝(e)鵝(e)》《林(lin)林(lin)》《鄉村巴士帶(dai)走了王(wang)孩兒和神仙(xian)》《小(xiao)(xiao)滿》《玉(yu)兔》《小(xiao)(xiao)賣部》《飛鳥與(yu)魚》,在觀眾(zhong)面(mian)前(qian)鋪陳(chen)開一(yi)(yi)個(ge)極具中(zhong)(zhong)(zhong)式想(xiang)象力和審美魅力的(de)(de)“妖怪”故(gu)(gu)(gu)事(shi)集。其中(zhong)(zhong)(zhong)故(gu)(gu)(gu)事(shi)縱覽古今、展望未(wei)來(lai),從(cong)古代故(gu)(gu)(gu)事(shi)到(dao)(dao)科幻(huan)想(xiang)象、從(cong)鄉土眷戀到(dao)(dao)唯美愛情、從(cong)生命(ming)母題(ti)到(dao)(dao)人性思(si)考,展現著中(zhong)(zhong)(zhong)式想(xiang)象力、承載著中(zhong)(zhong)(zhong)國(guo)民族文化與(yu)哲學(xue)。影片涵蓋多(duo)種美術(shu)風(feng)格以及制作(zuo)手法:既有傳(chuan)統的(de)(de)二(er)維、剪紙、偶定格動畫,又有CG、三(san)渲(xuan)二(er)的(de)(de)現代技術(shu),還有將素描與(yu)中(zhong)(zhong)(zhong)國(guo)水墨(mo)韻味相結(jie)合的(de)(de)創新嘗(chang)試,是創作(zuo)者們對中(zhong)(zhong)(zhong)國(guo)美學(xue)一(yi)(yi)次(ci)多(duo)視角的(de)(de)詮釋。